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It is also a module within the Looks 2 controls, where you can use it in conjunction with other modules.

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The Skin Smoother makes use of one of the new Cosmo applications to smooth and enhance skin tones.Д¬osmo can be accessed as its own filter from the Effects menu in Final Cut Pro, Premiere and After Effects. A new category called People has some cool presets that are new to Looks 2. Many of the presets in version one have been tweaked and improved. You can also create your own custom looks, and import looks created by other users and posted on the Red Giant People online community. It ships with roughly a hundred preset looks, which are now categorized under nine headings. Version two gets a slight interface-lift, moving a few things around. ItвЂ™s simply the easiest, most powerful way to color grade and add styles, color and lighting effects to your shots.ДЇor a more detailed look at Magic Bullet, check out my previous review at: Magic Bullet Looks 2 is a must-have tool for video editors. Grinder can also create small proxy files of your footage that you can work with, say on a laptop, and then relink them to the originals when youвЂ™ve finished your project. Drag the new files into Final Cut and youвЂ™re good to go. Your original files have not been changed in any way.

YouвЂ™ll find the completed files in the folder you chose, with the output format added to the end of the filename. Pick a location, hit return or enter and Grinder gets to work, grinding away at the conversions. In many cases the ProRes standard will be a great choice.Д¬lick the Start button and Grinder will ask you where you want the files saved.

There arenвЂ™t too many choices, but the ones you want are here without all the needless extras in Final Cut. Then choose the output format from the drop down menu. Drag the files you want to convert onto Grinder.

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I have an 8-core Mac Pro, so I can use Grinder to convert eight files simultaneously instead of one at a time inside Final Cut. Grinder, on the other hand, is a 64-bit application that can simultaneously convert as many files as you have core processors.

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However, because Final Cut Pro 7 is a 32-bit application, the transcoder can only convert one file at a time using only a portion of your system RAM and CPU processing power. ProRes also adds bit depth to the video, which is essential for adding color grades or special effects.ДЇinal Cut Pro has its own transcoder, of course, called Log and Transfer, under the File menu. ItвЂ™s better to convert, or transcode, these files into Apple ProRes 422 or 444, which Final Cut handles better. MOV file from the Canon camera folder into Final Cut, it will work but it will likely be very jerky because the Canon video is encoded as H.264, which is highly compressed. Grinder 1.5 converts DSLR video into ProRes to import into Final Cut Pro 7. Carried over from Magic Bullet Suite 10 are Colorista II, Mojo (updated to 1.2), Instant HD to quickly uprez SD video, and Magic Bullet Frames to deinterlace video into progressive footage.ДЄll the apps in the suite are also available for purchase separately. In addition, 11 includes Magic Bullet Grinder 1.5 to quickly convert Canon DSLR footage into edit friendly ProRes and other formats.

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On the image enhancement side, 11 adds the new app Cosmo, a quick skin beautifier, along with Looks 2, an update to the amazing Magic Bullet Looks for quick and powerful color grading of video footage.

In truth, Magic Bullet Suite 11 delivers more than just one more number on the dial. What makes Magic Bullet Suite 11 better than Version 10? Well as Spinal TapвЂs Nigel Tufnel said so eloquently, вЂWell itвЂ™s one louder, isnвЂ™t it? ItвЂ™s not ten.вЂ™ Red Giant has released an update to the suite, Version 11, with more tools, color grades, improved interfaces and a new online community to share color grades and styles with other users. I reviewed Red Giant SoftwareвЂ™s color grading bundle Magic Bullet Suite 10 this time last year.